*Attendance at CIIIC and BIME grants exclusive access to the four research reports that will be presented for the first time at the inaugural edition of the Congress.
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09.30 – 10:00 Accreditations at the BIME entrance
10.00 – 10:15 Official opening of the Congress with the institutional presence of Andoni Iturbe, Deputy Minister of Culture of the Basque Government, and Pedro Sigaud, Dean of the International University of Catalonia.
10:15 – 11:25 Opening keynote by Andreas Katsambas, President & COO of Chartmetric: Music industry trends in Spain and its global impact as an exporter and importer of music
11.25 – 11:45 Coffee break (networking)
11:45 – 12:45 Panel of communications: Listening, thinking, creating: critical pedagogies for an expanded musical production.
Moderator: Ana María Castillo (UIC Barcelona / Harvard):- Thinking space, listening to technique: critical strategies in university teaching of immersive sound. — Aitor Castillo (Euneiz University)
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Critical listening and sound creation in contemporary music education: from Pierre Schaeffer to Bad Bunny. — Carlos Sagi (Euneiz University)
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Interconnectivity and generative technologies as drivers of a paradigm shift in musical composition. — Ana Rosa Landa (Euneiz University)
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Listening beyond the algorithm: ear training and creativity in the age of artificial intelligence. — Iliana Ross (Euneiz University)
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Against the standardization of production: counterculture and musical aesthetics as forms of resistance in the digital age.— Norberto Bayo (Euneiz University)
12.45 – 13.45 anel of communications: Music as a driving force for professionalization and cultural transformation.
Moderator: Jon Ikazuriaga (UNIR):-
Permanent curiosity in radio: a cultural, creative, avant-garde industry and rights holder. — Jose Manuel Gómez Bravo (Director of Intellectual Property and Rights Business at Prisa Media)
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The transformation of the audience model and the value of first-party data in music and branding. — Jose Luis Quirós (Musikaze)
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Professional networks of independent musicians in Bogotá: the role of management and specialized training in music business. — Gloria Andrea Ramírez (Escola Superior de Música de Catalunya)
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Study of narratives, communication strategies, and consumption in popular music within a context of cultural platformization. — Sílvia Martínez & Jordi Sánchez-Navarro (Universitat Oberta de Catalunya)
Lunch break (networking)
15:45 – 16:15 Institute of Music: Presentation of the 2024 State of the Music Sector in Spain, by Beatriz Ortega, Managing Director of the Es_Música Federation
16.20 – 16:50 We Are Music: music as a differentiating element in the sports business, by Lucas Peña and Pepe Corral
16:55 – 17:25 Omar Rincón (University of the Andes, Colombia): Music, the heaven of “coolture” inhabited through cultural sovereignty
17.30 – 18:15 Closing session: Mondosonoro Observatory roundtable – Beyond the noise: listening as a tool for creation and transformation.
Speakers: Susana López, Antonio Méndez Rubio, Célula Culture Lab. -
9:30 – 9:40 Opening of the second day of the Congress by Isabel Villanueva, Director of BIME
09.40 – 10.10 Spanish and Music in Spain: from exporting voices to importing hits, for the Nebrija Observatory of Spanish.
Lourdes Moreno Cazalla, PhD in Audiovisual Communication and author of the study10.15 – 11.40 Panel of communications: Creativity and innovation as driving forces of transformation in music. Moderator: Ana Gómez de Castro, Rey Juan Carlos University / LIVE NATION
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Corporate social responsibility in the music industry: a transformative commitment. — Ana Gómez de Castro (Rey Juan Carlos University / LIVE NATION)
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Blockchain and NFT platforms transforming the music industry. — María Paz Palacios Rosa, Óscar Aguado Tevar, Margarita Núñez Canal (Nebrija University, Spain); María García de Blanes Sebastián (Rey Juan Carlos University, Spain)
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Checoslovaquia: a neighborhood creative factory in the Global South. — Rodrigo Browne (International University of Catalonia)
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Streaming and sustainability in Spain: revenue challenges for independent musicians and alternative revenue models. — Neval Turhalli (Open University of Catalonia)
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Data spaces in the music industry: a sectoral opportunity to boost innovation and entrepreneurship. — Sergio Ramos, Cristina Armuña & Alberto Arenal (AIE)
11.45 – 12.20 Closing keynote: Presentation of the First BIME Report – Emerging technologies, cultural sovereignty, and music. Nicolás Madoery and Ana María Castillo
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