{"id":414,"date":"2025-10-20T08:09:42","date_gmt":"2025-10-20T08:09:42","guid":{"rendered":"https:\/\/www.ciiic-bime.org\/index.php\/programa-oficial-copy\/"},"modified":"2025-10-25T11:27:23","modified_gmt":"2025-10-25T11:27:23","slug":"official-programme","status":"publish","type":"page","link":"https:\/\/www.ciiic-bime.org\/index.php\/official-programme\/","title":{"rendered":"Official programme"},"content":{"rendered":"<!--themify_builder_content-->\n<div id=\"themify_builder_content-414\" data-postid=\"414\" class=\"themify_builder_content themify_builder_content-414 themify_builder tf_clear\">\n                    <div  data-lazy=\"1\" class=\"module_row themify_builder_row tb_iyp0010 tb_first tf_w\">\n                        <div class=\"row_inner col_align_top tb_col_count_1 tf_box tf_rel\">\n                        <div  data-lazy=\"1\" class=\"module_column tb-column col-full tb_jbxu909 first\">\n                    <!-- module text -->\n<div  class=\"module module-text tb_153s000   \" data-lazy=\"1\">\n        <div  class=\"tb_text_wrap\">\n        <p><em>*Attendance at CIIIC and BIME grants exclusive access to the four research reports that will be presented for the first time at the inaugural edition of the Congress.<\/em><\/p>    <\/div>\n<\/div>\n<!-- \/module text --><!-- module accordion -->\n<div  class=\"module module-accordion tb_m3fx920 \" data-behavior=\"toggle\" data-lazy=\"1\">\n    \n    <ul class=\"ui module-accordion   tb_default_color\">\n            <li>\n            <div class=\"accordion-title tf_rel\">\n                <a href=\"#acc-m3fx920-0\" class=\"tb_title_accordion\" aria-controls=\"acc-m3fx920-0-content\" aria-expanded=\"false\">\n                                                            Wednesday, October 29                <\/a>\n            <\/div><!-- .accordion-title -->\n            <div id=\"acc-m3fx920-0-content\" data-id=\"acc-m3fx920-0\" aria-hidden=\"true\" class=\"accordion-content tf_hide tf_clearfix\">\n                        <div  data-lazy=\"1\" class=\"module_subrow themify_builder_sub_row tf_w col_align_top tb_col_count_1 tb_p77y643\">\n                <div  data-lazy=\"1\" class=\"module_column sub_column tb_ybeo643 first\">\n                    <!-- module text -->\n<div  class=\"module module-text tb_oych643   \" data-lazy=\"1\">\n        <div  class=\"tb_text_wrap\">\n        <p>09.30 &#8211; 10:00 \u00a0 \u00a0 \u00a0 Accreditations at the BIME entrance<\/p>\n<p><strong>10.00 &#8211; 10:15 Official opening of the Congress with the institutional presence of Andoni Iturbe, Deputy Minister of Culture of the Basque Government, and Pedro Sigaud, Dean of the International University of Catalonia.<\/strong><\/p>\n<p><strong>10:15 &#8211; 11:25 Opening keynote by Andreas Katsambas, President &amp; COO of Chartmetric: <em data-start=\"360\" data-end=\"451\">Music industry trends in Spain and its global impact as an exporter and importer of music<\/em><\/strong><\/p>\n<p><strong>11.25 &#8211; 11:45 Coffee break (networking)<\/strong><\/p>\n<p><strong>11:45 &#8211; 12:45 Panel of communications: <em data-start=\"537\" data-end=\"625\">Listening, thinking, creating: critical pedagogies for an expanded musical production.<\/em><br data-start=\"625\" data-end=\"628\" \/>Moderator: Ana Mar\u00eda Castillo (UIC Barcelona \/ Harvard):<\/strong><\/p>\n<ul>\n<li><em data-start=\"690\" data-end=\"794\">Thinking space, listening to technique: critical strategies in university teaching of immersive sound.<\/em> \u2014 Aitor Castillo (Euneiz University)<\/li>\n<li data-start=\"834\" data-end=\"980\">\n<p data-start=\"836\" data-end=\"980\"><em data-start=\"836\" data-end=\"944\">Critical listening and sound creation in contemporary music education: from Pierre Schaeffer to Bad Bunny.<\/em> \u2014 Carlos Sagi (Euneiz University)<\/p>\n<\/li>\n<li data-start=\"981\" data-end=\"1124\">\n<p data-start=\"983\" data-end=\"1124\"><em data-start=\"983\" data-end=\"1085\">Interconnectivity and generative technologies as drivers of a paradigm shift in musical composition.<\/em> \u2014 Ana Rosa Landa (Euneiz University)<\/p>\n<\/li>\n<li data-start=\"1125\" data-end=\"1263\">\n<p data-start=\"1127\" data-end=\"1263\"><em data-start=\"1127\" data-end=\"1227\">Listening beyond the algorithm: ear training and creativity in the age of artificial intelligence.<\/em> \u2014 Iliana Ross (Euneiz University)<\/p>\n<\/li>\n<li data-start=\"1264\" data-end=\"1429\">\n<p data-start=\"1266\" data-end=\"1429\"><em data-start=\"1266\" data-end=\"1391\">Against the standardization of production: counterculture and musical aesthetics as forms of resistance in the digital age.<\/em>\u2014 Norberto Bayo (Euneiz University)<\/p>\n<\/li>\n<\/ul>\n<p><strong>12.45 &#8211; 13.45 anel of communications: <em data-start=\"1470\" data-end=\"1549\">Music as a driving force for professionalization and cultural transformation.<\/em><br data-start=\"1549\" data-end=\"1552\" \/>Moderator: Jon Ikazuriaga (UNIR):<\/strong><\/p>\n<ul>\n<li data-start=\"1589\" data-end=\"1783\">\n<p data-start=\"1591\" data-end=\"1783\"><em data-start=\"1591\" data-end=\"1684\">Permanent curiosity in radio: a cultural, creative, avant-garde industry and rights holder.<\/em> \u2014 Jose Manuel G\u00f3mez Bravo (Director of Intellectual Property and Rights Business at Prisa Media)<\/p>\n<\/li>\n<li data-start=\"1784\" data-end=\"1917\">\n<p data-start=\"1786\" data-end=\"1917\"><em data-start=\"1786\" data-end=\"1885\">The transformation of the audience model and the value of first-party data in music and branding.<\/em> \u2014 Jose Luis Quir\u00f3s (Musikaze)<\/p>\n<\/li>\n<li data-start=\"1918\" data-end=\"2113\">\n<p data-start=\"1920\" data-end=\"2113\"><em data-start=\"1920\" data-end=\"2046\">Professional networks of independent musicians in Bogot\u00e1: the role of management and specialized training in music business.<\/em> \u2014 Gloria Andrea Ram\u00edrez (Escola Superior de M\u00fasica de Catalunya)<\/p>\n<\/li>\n<li data-start=\"2114\" data-end=\"2321\">\n<p data-start=\"2116\" data-end=\"2321\"><em data-start=\"2116\" data-end=\"2243\">Study of narratives, communication strategies, and consumption in popular music within a context of cultural platformization.<\/em> \u2014 S\u00edlvia Mart\u00ednez &amp; Jordi S\u00e1nchez-Navarro (Universitat Oberta de Catalunya)<\/p>\n<\/li>\n<\/ul>\n<p><strong>Lunch break (networking)<\/strong><\/p>\n<p><strong>15:45 &#8211; 16:15 Institute of Music: <em data-start=\"2389\" data-end=\"2450\">Presentation of the 2024 State of the Music Sector in Spain<\/em>, by Beatriz Ortega, Managing Director of the Es_M\u00fasica Federation<\/strong><\/p>\n<p><strong>16.20 &#8211; 16:50 <em data-start=\"2534\" data-end=\"2608\">We Are Music: music as a differentiating element in the sports business,<\/em> by Lucas Pe\u00f1a and Pepe Corral<\/strong><\/p>\n<p><strong>16:55 &#8211; 17:25 Omar Rinc\u00f3n (University of the Andes, Colombia): <em data-start=\"2705\" data-end=\"2777\">Music, the heaven of \u201ccoolture\u201d inhabited through cultural sovereignty<\/em><\/strong><\/p>\n<p><strong>17.30 &#8211; 18:15 Closing session: <em data-start=\"2812\" data-end=\"2921\">Mondosonoro Observatory roundtable \u2013 Beyond the noise: listening as a tool for creation and transformation.<\/em><br data-start=\"2921\" data-end=\"2924\" \/>Speakers: Susana L\u00f3pez, Antonio M\u00e9ndez Rubio, C\u00e9lula Culture Lab.<\/strong><\/p>    <\/div>\n<\/div>\n<!-- \/module text -->        <\/div>\n                    <\/div>\n                    <\/div><!-- .accordion-content -->\n        <\/li>\n            <li>\n            <div class=\"accordion-title tf_rel\">\n                <a href=\"#acc-m3fx920-1\" class=\"tb_title_accordion\" aria-controls=\"acc-m3fx920-1-content\" aria-expanded=\"false\">\n                                                            Thursday, October 30                <\/a>\n            <\/div><!-- .accordion-title -->\n            <div id=\"acc-m3fx920-1-content\" data-id=\"acc-m3fx920-1\" aria-hidden=\"true\" class=\"accordion-content tf_hide tf_clearfix\">\n                        <div  data-lazy=\"1\" class=\"module_subrow themify_builder_sub_row tf_w col_align_top tb_col_count_1 tb_micn333\">\n                <div  data-lazy=\"1\" class=\"module_column sub_column tb_dgeo333 first\">\n                    <!-- module text -->\n<div  class=\"module module-text tb_kygv333   \" data-lazy=\"1\">\n        <div  class=\"tb_text_wrap\">\n        <p><strong>9:30 &#8211; 9:40 Opening of the second day of the Congress by Isabel Villanueva, Director of BIME<\/strong><\/p>\n<p><strong>09.40 &#8211; 10.10 <em data-start=\"109\" data-end=\"178\">Spanish and Music in Spain: from exporting voices to importing hits<\/em>, for the Nebrija Observatory of Spanish.<br data-start=\"219\" data-end=\"222\" \/>Lourdes Moreno Cazalla, PhD in Audiovisual Communication and author of the study<\/strong><\/p>\n<p><strong>10.15 &#8211; 11.40 Panel of communications: <em data-start=\"345\" data-end=\"418\">Creativity and innovation as driving forces of transformation in music. <\/em>Moderator: Ana G\u00f3mez de Castro, Rey Juan Carlos University \/ LIVE NATION<\/strong><\/p>\n<ul data-start=\"497\" data-end=\"1684\">\n<li data-start=\"497\" data-end=\"651\">\n<p data-start=\"499\" data-end=\"651\"><em data-start=\"499\" data-end=\"584\">Corporate social responsibility in the music industry: a transformative commitment.<\/em> \u2014 Ana G\u00f3mez de Castro (Rey Juan Carlos University \/ LIVE NATION)<\/p>\n<\/li>\n<li data-start=\"497\" data-end=\"651\">\n<p data-start=\"499\" data-end=\"651\"><em data-start=\"654\" data-end=\"717\">Blockchain and NFT platforms transforming the music industry.<\/em> \u2014 Mar\u00eda Paz Palacios Rosa, \u00d3scar Aguado Tevar, Margarita N\u00fa\u00f1ez Canal (Nebrija University, Spain); Mar\u00eda Garc\u00eda de Blanes Sebasti\u00e1n (Rey Juan Carlos University, Spain)<\/p>\n<\/li>\n<li data-start=\"887\" data-end=\"1018\">\n<p data-start=\"889\" data-end=\"1018\"><em data-start=\"889\" data-end=\"959\">Checoslovaquia: a neighborhood creative factory in the Global South.<\/em> \u2014 Rodrigo Browne (International University of Catalonia)<\/p>\n<\/li>\n<li data-start=\"1155\" data-end=\"1324\">\n<p data-start=\"1157\" data-end=\"1324\"><em data-start=\"1157\" data-end=\"1274\">Streaming and sustainability in Spain: revenue challenges for independent musicians and alternative revenue models.<\/em> \u2014 Neval Turhalli (Open University of Catalonia)<\/p>\n<\/li>\n<li data-start=\"1325\" data-end=\"1485\">\n<p data-start=\"1327\" data-end=\"1485\"><em data-start=\"1327\" data-end=\"1428\">Data spaces in the music industry: a sectoral opportunity to boost innovation and entrepreneurship.<\/em> \u2014 Sergio Ramos, Cristina Armu\u00f1a &amp; Alberto Arenal (AIE)<\/p>\n<\/li>\n<\/ul>\n<p><strong>11.45 &#8211; 12.20 Closing keynote: <em data-start=\"1717\" data-end=\"1814\">Presentation of the First BIME Report \u2013 Emerging technologies, cultural sovereignty, and music. <\/em>Nicol\u00e1s Madoery and Ana Mar\u00eda Castillo <\/strong><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>    <\/div>\n<\/div>\n<!-- \/module text -->        <\/div>\n                    <\/div>\n                    <\/div><!-- .accordion-content -->\n        <\/li>\n        <\/ul>\n\n<\/div><!-- \/module accordion -->        <\/div>\n                        <\/div>\n        <\/div>\n        <\/div>\n<!--\/themify_builder_content-->","protected":false},"excerpt":{"rendered":"<p>*Attendance at CIIIC and BIME grants exclusive access to the four research reports that will be presented for the first time at the inaugural edition of the Congress.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-414","page","type-page","status-publish","hentry","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"builder_content":"<p><em>*Attendance at CIIIC and BIME grants exclusive access to the four research reports that will be presented for the first time at the inaugural edition of the Congress.<\/em><\/p>\n<ul><li><h4>Wednesday, October 29<\/h4><p>09.30 - 10:00 \u00a0 \u00a0 \u00a0 Accreditations at the BIME entrance<\/p> <p><strong>10.00 - 10:15 Official opening of the Congress with the institutional presence of Andoni Iturbe, Deputy Minister of Culture of the Basque Government, and Pedro Sigaud, Dean of the International University of Catalonia.<\/strong><\/p> <p><strong>10:15 - 11:25 Opening keynote by Andreas Katsambas, President &amp; COO of Chartmetric: <em data-start=\"360\" data-end=\"451\">Music industry trends in Spain and its global impact as an exporter and importer of music<\/em><\/strong><\/p> <p><strong>11.25 - 11:45 Coffee break (networking)<\/strong><\/p> <p><strong>11:45 - 12:45 Panel of communications: <em data-start=\"537\" data-end=\"625\">Listening, thinking, creating: critical pedagogies for an expanded musical production.<\/em><br data-start=\"625\" data-end=\"628\" \/>Moderator: Ana Mar\u00eda Castillo (UIC Barcelona \/ Harvard):<\/strong><\/p> <ul> <li><em data-start=\"690\" data-end=\"794\">Thinking space, listening to technique: critical strategies in university teaching of immersive sound.<\/em> \u2014 Aitor Castillo (Euneiz University)<\/li> <li data-start=\"834\" data-end=\"980\"> <p data-start=\"836\" data-end=\"980\"><em data-start=\"836\" data-end=\"944\">Critical listening and sound creation in contemporary music education: from Pierre Schaeffer to Bad Bunny.<\/em> \u2014 Carlos Sagi (Euneiz University)<\/p> <\/li> <li data-start=\"981\" data-end=\"1124\"> <p data-start=\"983\" data-end=\"1124\"><em data-start=\"983\" data-end=\"1085\">Interconnectivity and generative technologies as drivers of a paradigm shift in musical composition.<\/em> \u2014 Ana Rosa Landa (Euneiz University)<\/p> <\/li> <li data-start=\"1125\" data-end=\"1263\"> <p data-start=\"1127\" data-end=\"1263\"><em data-start=\"1127\" data-end=\"1227\">Listening beyond the algorithm: ear training and creativity in the age of artificial intelligence.<\/em> \u2014 Iliana Ross (Euneiz University)<\/p> <\/li> <li data-start=\"1264\" data-end=\"1429\"> <p data-start=\"1266\" data-end=\"1429\"><em data-start=\"1266\" data-end=\"1391\">Against the standardization of production: counterculture and musical aesthetics as forms of resistance in the digital age.<\/em>\u2014 Norberto Bayo (Euneiz University)<\/p> <\/li> <\/ul> <p><strong>12.45 - 13.45 anel of communications: <em data-start=\"1470\" data-end=\"1549\">Music as a driving force for professionalization and cultural transformation.<\/em><br data-start=\"1549\" data-end=\"1552\" \/>Moderator: Jon Ikazuriaga (UNIR):<\/strong><\/p> <ul> <li data-start=\"1589\" data-end=\"1783\"> <p data-start=\"1591\" data-end=\"1783\"><em data-start=\"1591\" data-end=\"1684\">Permanent curiosity in radio: a cultural, creative, avant-garde industry and rights holder.<\/em> \u2014 Jose Manuel G\u00f3mez Bravo (Director of Intellectual Property and Rights Business at Prisa Media)<\/p> <\/li> <li data-start=\"1784\" data-end=\"1917\"> <p data-start=\"1786\" data-end=\"1917\"><em data-start=\"1786\" data-end=\"1885\">The transformation of the audience model and the value of first-party data in music and branding.<\/em> \u2014 Jose Luis Quir\u00f3s (Musikaze)<\/p> <\/li> <li data-start=\"1918\" data-end=\"2113\"> <p data-start=\"1920\" data-end=\"2113\"><em data-start=\"1920\" data-end=\"2046\">Professional networks of independent musicians in Bogot\u00e1: the role of management and specialized training in music business.<\/em> \u2014 Gloria Andrea Ram\u00edrez (Escola Superior de M\u00fasica de Catalunya)<\/p> <\/li> <li data-start=\"2114\" data-end=\"2321\"> <p data-start=\"2116\" data-end=\"2321\"><em data-start=\"2116\" data-end=\"2243\">Study of narratives, communication strategies, and consumption in popular music within a context of cultural platformization.<\/em> \u2014 S\u00edlvia Mart\u00ednez &amp; Jordi S\u00e1nchez-Navarro (Universitat Oberta de Catalunya)<\/p> <\/li> <\/ul> <p><strong>Lunch break (networking)<\/strong><\/p> <p><strong>15:45 - 16:15 Institute of Music: <em data-start=\"2389\" data-end=\"2450\">Presentation of the 2024 State of the Music Sector in Spain<\/em>, by Beatriz Ortega, Managing Director of the Es_M\u00fasica Federation<\/strong><\/p> <p><strong>16.20 - 16:50 <em data-start=\"2534\" data-end=\"2608\">We Are Music: music as a differentiating element in the sports business,<\/em> by Lucas Pe\u00f1a and Pepe Corral<\/strong><\/p> <p><strong>16:55 - 17:25 Omar Rinc\u00f3n (University of the Andes, Colombia): <em data-start=\"2705\" data-end=\"2777\">Music, the heaven of \u201ccoolture\u201d inhabited through cultural sovereignty<\/em><\/strong><\/p> <p><strong>17.30 - 18:15 Closing session: <em data-start=\"2812\" data-end=\"2921\">Mondosonoro Observatory roundtable \u2013 Beyond the noise: listening as a tool for creation and transformation.<\/em><br data-start=\"2921\" data-end=\"2924\" \/>Speakers: Susana L\u00f3pez, Antonio M\u00e9ndez Rubio, C\u00e9lula Culture Lab.<\/strong><\/p><\/li><li><h4>Thursday, October 30<\/h4><p><strong>9:30 - 9:40 Opening of the second day of the Congress by Isabel Villanueva, Director of BIME<\/strong><\/p> <p><strong>09.40 - 10.10 <em data-start=\"109\" data-end=\"178\">Spanish and Music in Spain: from exporting voices to importing hits<\/em>, for the Nebrija Observatory of Spanish.<br data-start=\"219\" data-end=\"222\" \/>Lourdes Moreno Cazalla, PhD in Audiovisual Communication and author of the study<\/strong><\/p> <p><strong>10.15 - 11.40 Panel of communications: <em data-start=\"345\" data-end=\"418\">Creativity and innovation as driving forces of transformation in music. <\/em>Moderator: Ana G\u00f3mez de Castro, Rey Juan Carlos University \/ LIVE NATION<\/strong><\/p> <ul data-start=\"497\" data-end=\"1684\"> <li data-start=\"497\" data-end=\"651\"> <p data-start=\"499\" data-end=\"651\"><em data-start=\"499\" data-end=\"584\">Corporate social responsibility in the music industry: a transformative commitment.<\/em> \u2014 Ana G\u00f3mez de Castro (Rey Juan Carlos University \/ LIVE NATION)<\/p> <\/li> <li data-start=\"497\" data-end=\"651\"> <p data-start=\"499\" data-end=\"651\"><em data-start=\"654\" data-end=\"717\">Blockchain and NFT platforms transforming the music industry.<\/em> \u2014 Mar\u00eda Paz Palacios Rosa, \u00d3scar Aguado Tevar, Margarita N\u00fa\u00f1ez Canal (Nebrija University, Spain); Mar\u00eda Garc\u00eda de Blanes Sebasti\u00e1n (Rey Juan Carlos University, Spain)<\/p> <\/li> <li data-start=\"887\" data-end=\"1018\"> <p data-start=\"889\" data-end=\"1018\"><em data-start=\"889\" data-end=\"959\">Checoslovaquia: a neighborhood creative factory in the Global South.<\/em> \u2014 Rodrigo Browne (International University of Catalonia)<\/p> <\/li> <li data-start=\"1155\" data-end=\"1324\"> <p data-start=\"1157\" data-end=\"1324\"><em data-start=\"1157\" data-end=\"1274\">Streaming and sustainability in Spain: revenue challenges for independent musicians and alternative revenue models.<\/em> \u2014 Neval Turhalli (Open University of Catalonia)<\/p> <\/li> <li data-start=\"1325\" data-end=\"1485\"> <p data-start=\"1327\" data-end=\"1485\"><em data-start=\"1327\" data-end=\"1428\">Data spaces in the music industry: a sectoral opportunity to boost innovation and entrepreneurship.<\/em> \u2014 Sergio Ramos, Cristina Armu\u00f1a &amp; Alberto Arenal (AIE)<\/p> <\/li> <\/ul> <p><strong>11.45 - 12.20 Closing keynote: <em data-start=\"1717\" data-end=\"1814\">Presentation of the First BIME Report \u2013 Emerging technologies, cultural sovereignty, and music. <\/em>Nicol\u00e1s Madoery and Ana Mar\u00eda Castillo <\/strong><\/p> <p>\u00a0<\/p> <p>\u00a0<\/p><\/li><\/ul>\n<p>09.30 - 10:00 \u00a0 \u00a0 \u00a0 Accreditations at the BIME entrance<\/p> <p><strong>10.00 - 10:15 Official opening of the Congress with the institutional presence of Andoni Iturbe, Deputy Minister of Culture of the Basque Government, and Pedro Sigaud, Dean of the International University of Catalonia.<\/strong><\/p> <p><strong>10:15 - 11:25 Opening keynote by Andreas Katsambas, President &amp; COO of Chartmetric: <em data-start=\"360\" data-end=\"451\">Music industry trends in Spain and its global impact as an exporter and importer of music<\/em><\/strong><\/p> <p><strong>11.25 - 11:45 Coffee break (networking)<\/strong><\/p> <p><strong>11:45 - 12:45 Panel of communications: <em data-start=\"537\" data-end=\"625\">Listening, thinking, creating: critical pedagogies for an expanded musical production.<\/em><br data-start=\"625\" data-end=\"628\" \/>Moderator: Ana Mar\u00eda Castillo (UIC Barcelona \/ Harvard):<\/strong><\/p> <ul> <li><em data-start=\"690\" data-end=\"794\">Thinking space, listening to technique: critical strategies in university teaching of immersive sound.<\/em> \u2014 Aitor Castillo (Euneiz University)<\/li> <li data-start=\"834\" data-end=\"980\"> <p data-start=\"836\" data-end=\"980\"><em data-start=\"836\" data-end=\"944\">Critical listening and sound creation in contemporary music education: from Pierre Schaeffer to Bad Bunny.<\/em> \u2014 Carlos Sagi (Euneiz University)<\/p> <\/li> <li data-start=\"981\" data-end=\"1124\"> <p data-start=\"983\" data-end=\"1124\"><em data-start=\"983\" data-end=\"1085\">Interconnectivity and generative technologies as drivers of a paradigm shift in musical composition.<\/em> \u2014 Ana Rosa Landa (Euneiz University)<\/p> <\/li> <li data-start=\"1125\" data-end=\"1263\"> <p data-start=\"1127\" data-end=\"1263\"><em data-start=\"1127\" data-end=\"1227\">Listening beyond the algorithm: ear training and creativity in the age of artificial intelligence.<\/em> \u2014 Iliana Ross (Euneiz University)<\/p> <\/li> <li data-start=\"1264\" data-end=\"1429\"> <p data-start=\"1266\" data-end=\"1429\"><em data-start=\"1266\" data-end=\"1391\">Against the standardization of production: counterculture and musical aesthetics as forms of resistance in the digital age.<\/em>\u2014 Norberto Bayo (Euneiz University)<\/p> <\/li> <\/ul> <p><strong>12.45 - 13.45 anel of communications: <em data-start=\"1470\" data-end=\"1549\">Music as a driving force for professionalization and cultural transformation.<\/em><br data-start=\"1549\" data-end=\"1552\" \/>Moderator: Jon Ikazuriaga (UNIR):<\/strong><\/p> <ul> <li data-start=\"1589\" data-end=\"1783\"> <p data-start=\"1591\" data-end=\"1783\"><em data-start=\"1591\" data-end=\"1684\">Permanent curiosity in radio: a cultural, creative, avant-garde industry and rights holder.<\/em> \u2014 Jose Manuel G\u00f3mez Bravo (Director of Intellectual Property and Rights Business at Prisa Media)<\/p> <\/li> <li data-start=\"1784\" data-end=\"1917\"> <p data-start=\"1786\" data-end=\"1917\"><em data-start=\"1786\" data-end=\"1885\">The transformation of the audience model and the value of first-party data in music and branding.<\/em> \u2014 Jose Luis Quir\u00f3s (Musikaze)<\/p> <\/li> <li data-start=\"1918\" data-end=\"2113\"> <p data-start=\"1920\" data-end=\"2113\"><em data-start=\"1920\" data-end=\"2046\">Professional networks of independent musicians in Bogot\u00e1: the role of management and specialized training in music business.<\/em> \u2014 Gloria Andrea Ram\u00edrez (Escola Superior de M\u00fasica de Catalunya)<\/p> <\/li> <li data-start=\"2114\" data-end=\"2321\"> <p data-start=\"2116\" data-end=\"2321\"><em data-start=\"2116\" data-end=\"2243\">Study of narratives, communication strategies, and consumption in popular music within a context of cultural platformization.<\/em> \u2014 S\u00edlvia Mart\u00ednez &amp; Jordi S\u00e1nchez-Navarro (Universitat Oberta de Catalunya)<\/p> <\/li> <\/ul> <p><strong>Lunch break (networking)<\/strong><\/p> <p><strong>15:45 - 16:15 Institute of Music: <em data-start=\"2389\" data-end=\"2450\">Presentation of the 2024 State of the Music Sector in Spain<\/em>, by Beatriz Ortega, Managing Director of the Es_M\u00fasica Federation<\/strong><\/p> <p><strong>16.20 - 16:50 <em data-start=\"2534\" data-end=\"2608\">We Are Music: music as a differentiating element in the sports business,<\/em> by Lucas Pe\u00f1a and Pepe Corral<\/strong><\/p> <p><strong>16:55 - 17:25 Omar Rinc\u00f3n (University of the Andes, Colombia): <em data-start=\"2705\" data-end=\"2777\">Music, the heaven of \u201ccoolture\u201d inhabited through cultural sovereignty<\/em><\/strong><\/p> <p><strong>17.30 - 18:15 Closing session: <em data-start=\"2812\" data-end=\"2921\">Mondosonoro Observatory roundtable \u2013 Beyond the noise: listening as a tool for creation and transformation.<\/em><br data-start=\"2921\" data-end=\"2924\" \/>Speakers: Susana L\u00f3pez, Antonio M\u00e9ndez Rubio, C\u00e9lula Culture Lab.<\/strong><\/p>\n<p><strong>9:30 - 9:40 Opening of the second day of the Congress by Isabel Villanueva, Director of BIME<\/strong><\/p> <p><strong>09.40 - 10.10 <em data-start=\"109\" data-end=\"178\">Spanish and Music in Spain: from exporting voices to importing hits<\/em>, for the Nebrija Observatory of Spanish.<br data-start=\"219\" data-end=\"222\" \/>Lourdes Moreno Cazalla, PhD in Audiovisual Communication and author of the study<\/strong><\/p> <p><strong>10.15 - 11.40 Panel of communications: <em data-start=\"345\" data-end=\"418\">Creativity and innovation as driving forces of transformation in music. <\/em>Moderator: Ana G\u00f3mez de Castro, Rey Juan Carlos University \/ LIVE NATION<\/strong><\/p> <ul data-start=\"497\" data-end=\"1684\"> <li data-start=\"497\" data-end=\"651\"> <p data-start=\"499\" data-end=\"651\"><em data-start=\"499\" data-end=\"584\">Corporate social responsibility in the music industry: a transformative commitment.<\/em> \u2014 Ana G\u00f3mez de Castro (Rey Juan Carlos University \/ LIVE NATION)<\/p> <\/li> <li data-start=\"497\" data-end=\"651\"> <p data-start=\"499\" data-end=\"651\"><em data-start=\"654\" data-end=\"717\">Blockchain and NFT platforms transforming the music industry.<\/em> \u2014 Mar\u00eda Paz Palacios Rosa, \u00d3scar Aguado Tevar, Margarita N\u00fa\u00f1ez Canal (Nebrija University, Spain); Mar\u00eda Garc\u00eda de Blanes Sebasti\u00e1n (Rey Juan Carlos University, Spain)<\/p> <\/li> <li data-start=\"887\" data-end=\"1018\"> <p data-start=\"889\" data-end=\"1018\"><em data-start=\"889\" data-end=\"959\">Checoslovaquia: a neighborhood creative factory in the Global South.<\/em> \u2014 Rodrigo Browne (International University of Catalonia)<\/p> <\/li> <li data-start=\"1155\" data-end=\"1324\"> <p data-start=\"1157\" data-end=\"1324\"><em data-start=\"1157\" data-end=\"1274\">Streaming and sustainability in Spain: revenue challenges for independent musicians and alternative revenue models.<\/em> \u2014 Neval Turhalli (Open University of Catalonia)<\/p> <\/li> <li data-start=\"1325\" data-end=\"1485\"> <p data-start=\"1327\" data-end=\"1485\"><em data-start=\"1327\" data-end=\"1428\">Data spaces in the music industry: a sectoral opportunity to boost innovation and entrepreneurship.<\/em> \u2014 Sergio Ramos, Cristina Armu\u00f1a &amp; Alberto Arenal (AIE)<\/p> <\/li> <\/ul> <p><strong>11.45 - 12.20 Closing keynote: <em data-start=\"1717\" data-end=\"1814\">Presentation of the First BIME Report \u2013 Emerging technologies, cultural sovereignty, and music. <\/em>Nicol\u00e1s Madoery and Ana Mar\u00eda Castillo <\/strong><\/p> <p>\u00a0<\/p> <p>\u00a0<\/p>","_links":{"self":[{"href":"https:\/\/www.ciiic-bime.org\/index.php\/wp-json\/wp\/v2\/pages\/414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ciiic-bime.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ciiic-bime.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ciiic-bime.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ciiic-bime.org\/index.php\/wp-json\/wp\/v2\/comments?post=414"}],"version-history":[{"count":16,"href":"https:\/\/www.ciiic-bime.org\/index.php\/wp-json\/wp\/v2\/pages\/414\/revisions"}],"predecessor-version":[{"id":457,"href":"https:\/\/www.ciiic-bime.org\/index.php\/wp-json\/wp\/v2\/pages\/414\/revisions\/457"}],"wp:attachment":[{"href":"https:\/\/www.ciiic-bime.org\/index.php\/wp-json\/wp\/v2\/media?parent=414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}